How to Make Animated Films: Tony White's Complete Masterclass on the Traditional Principals of Animation
| Author | : | |
| Rating | : | 4.33 (646 Votes) |
| Asin | : | 0240810333 |
| Format Type | : | paperback |
| Number of Pages | : | 512 Pages |
| Publish Date | : | 2014-07-26 |
| Language | : | English |
DESCRIPTION:
He has great love for the art of animation, and also a talent for explaining complex ideas in simple, accessible language." -Nancy Beiman, Professor of Animation, Sheridan College and author of PREPARE TO BOARD! Creating Story and Characters for Animated Features and Shorts"Tony White's enthusiasm for animation is contagious. From the basic mechanics to the sophisticated complexities of hand drawn character animation, Tony covers it all." -Don Crum, Professional Character Animator. "Tony White is a marvelous teacher. Animation enthusiasts will find this book a treasure trove." -Michel Gagné, Artist/Filmmaker"Tony White offers a wealth of knowledge from his vast, extensive experience in the ar
In addition to being the Dean of Fine Art and Animation at DigiPen, White founded and presides over The Animaticus Foundation, which he formed to preserve, teach and evolve the art form of traditional 2D animation. . He also personally assisted, then directed/animated for Richard Williams (3-time Oscar winner and author of The Animator's Survival Kit). White began his career worki
John said The Teacher in the Pages. The book is the last of a trilogy, of sorts. Of course, you don't really need to get to the first two, but White recommends that you do. He comes across as very knowledgeable in the field, giving you tips and tricks to maneuver around seemingly small things (like how you flip through your pencil test), getting the minutiae out of the way for you to focus on the more important aspects of animation.I only have two pr. J. Demers said ) What I liked most about this book (and I didn't get a. I bought this book to help me teach an Animation class for 9-1") What I liked most about this book (and I didn't get a" according to J. Demers. I bought this book to help me teach an Animation class for 9-12 year-olds, which I was unfamiliar with. (I had only experience with stop motion.) What I liked most about this book (and I didn't get a chance to read the whole book) was that in the first chapter, White explains all of the materials he uses and why, and debates/preferences about some materials. He even tells the reader what stores to find certain mate. year-olds, which I was unfamiliar with. (I had only experience with stop motion.) What I liked most about this book (and I didn't get a chance to read the whole book) was that in the first chapter, White explains all of the materials he uses and why, and debates/preferences about some materials. He even tells the reader what stores to find certain mate. Look over the shoulder of a master animator Brett McCoy I've studied animation techniques from Tony White's two previous books, but this one is the best one yet from this master animator from England. He provides an "over the shoulder" view of animation techniques, and lets you look over his shoulder on how in-betweens are done, how generic walks are created, and so on, as if you are a journeyman learning from the master. He starts off with a 10 part foundation course,
How to Make Animated Films offers secrets and unique approaches only a Master Animator could share. Become Tony White's personal animation student. Includes hands-on Tutorials, demonstrations and final sample animations Whether you want to become a qualified animator of 2D, 3D, Flash or any other form of animation, Tony White's foundations bring you closer to that goal. The DVD is invaluable, in that readers are not only taught principles and concepts in the book, they are able to see them demonstrated in action in the movies on the DVD.. Experience many of the teaching techniques of the golden era of Disney and Warner Brothers studios and beyondl from the comfort of your own home or studio. Tony White's Animation Master Class is uniquely designed to cover the core principles of animated movement comprehensively