Realizing the Impossible: Art Against Authority
| Author | : | |
| Rating | : | 4.18 (835 Votes) |
| Asin | : | 1904859321 |
| Format Type | : | paperback |
| Number of Pages | : | 225 Pages |
| Publish Date | : | 2017-05-28 |
| Language | : | English |
DESCRIPTION:
Protestors, rows of riot cops, tear gas lobbed into crowds—these are the images that easily flood into the mind when one thinks about a gathering to protest the IMF, the WTO, a meeting of the G8, or the war on Iraq. The movement against corporate globalization has brought anti-authoritarian politics into the forefront of world consciousness, but what do we know—and what have we seen, really—of the cultural and aesthetic sides of these and other rebellions against the status quo? To date, precious little has been written by anarchists and anti-authoritarians about the role of art and culture in society, and in revolutionary movements like these.Realizing the Impossible is an inclusive and sprawling collection of art and writings that addresses this gap in our understanding of revolutionary movements. Do-it--yourself printmaking, Zapatista video, street art in Argentina’s popular uprisings, radical puppetry, the monuments to Haymarket martyrs, turn-of-the-century Austra
Josh MacPhee is an artist, curator, and activist. He is also the author of Stencil Pirates: A Global Survey of Street Stenciling, published in July 2004. He explores the intersections of art, radical politics and everyday life in his zine, Trouble in Mind. His work often revolves around themes of radical politics, privitazation, and public space. Erik Reuland is a Minneapolis-based print-maker and puppeteer. In collaboration with incarcerated illustrator
His work often revolves around themes of radical politics, privitazation, and public space. Josh organizes the Celebrate People's History Poster Series and runs a political art distribution website. He is also the author of Stencil Pirates: A Global Survey of Street Stenciling, published in July 2004. About the AuthorJosh MacPhee is an artist, curator, and activist. Erik Reuland is a Minneapolis-based print-maker and puppeteer. In collaboration with incarcerated illustrators, Erik creates political storytelling posters for the Prison Poster Project.. He explores the intersections of art, radical politics and everyday life in his zine, Trouble in Mind
Amazon Customer said and i was also there on the sad day that city crews jack hammered it out. Part of the book covering a mosaic that was created by myself, Evan Glassman, and "Grifter", and installed by a concrete crew contracted by the City of Chicago that I persuaded to install within the context of the City's new median program was completely inaccurate. The design and fabrication of the mosaic was a collaboration between myself and "Grifter", and I alone, with the unknowing City contractors willing support, installed the piece.The article in the Chicago Tribune was accurate, however at least this part of the book was not.For a fairer and more accurate portrayal of this guerrill. From avant-garde to artistic insurrection Abyss On receiving Realizing the Impossible, I was immediately reminded of Walter Benjamin's 'The Author as Producer'. Taking consideration of art, literature and print newspaper, Benjamin contends that a revolution occurs in such mediums only when there is a reformulation in both form and content. This reformulation Realizing the Impossible accomplishes to an outstanding degree. The eye looking over its pages is confronted not only with a distinctly anarchist analysis of art-something not achieved in a systematic way since Herbert Read's work on poetry and children's drawings-but also with a who. "wonderful, passionately and intelligently compiled collection" according to Elevate Difference. Realizing the Impossible is a wonderful, passionately and intelligently compiled collection of art and writing with strong political messages. An anti-authoritarian, anti-capitalist persuasion carries from cover to cover and is expressed throughout. Through their work, the featured artists reveal messages and statements and resistance to globalization, state authority and oppression. Interwoven into their social critiques is a common belief that a new world is necessary.The collection contains three sections: "In Print," "Moving Images and Interventions" and "Theories." Within each of these