Bending the Frame: Photojournalism, Documentary, and the Citizen
| Author | : | |
| Rating | : | 4.79 (892 Votes) |
| Asin | : | 1597111201 |
| Format Type | : | paperback |
| Number of Pages | : | 176 Pages |
| Publish Date | : | 2015-10-23 |
| Language | : | English |
DESCRIPTION:
Ritchin has written for Aperture, Le Monde, the New York Times, and the Village Voice, and authored several books, including the prescient In Our Own Image: The Coming Revolution in Photography (Aperture, 1990, 2000) and the more recent After Photography (2009) and Bending the Frame (2013). Fred Ritchin is professor and associate chair of the Department of Photography and Imaging at New York University’s Tisch Sch
TDR said A good book to get an up to date understanding of today's state of journalism due to new media.. A sterling book to read, although I do thing it needs some improvement. No doubt the author is a well renowned writer and all, but I feel the prose would have been better improve the flow as the text felt very complex.Still it was a very good book as it asked and answered the many questions facing journalism's many challenges such as the diminished readership of newspapers. Five Stars ISIDRO MARTINEZ Excellent book just what i was specting ,thank you. Five Stars I really admire Fred Ritchin's perspective on photography.
Scarth"Choice" (12/01/2013)Does photojournalism matter? By Richin's account, its role has shifted but not shrunk in our media - saturated world.--Jack Crager"American Photo" (11/01/2013) . This volume takes readers through the looking glass and down the rabbit hole into the surrealistic world of photojournalism and its history, uses, effects, and possibly its future.--L.L
Is visual journalism even effective at all, given the ease with which so many of us can simply record events? And how can the impact of iconic images from the Civil Rights Movement or the Vietnam War be compared to, say, the consequences of leaked images from Abu Ghraib? Do changes in strategy imply changes in accountability and responsibility for visual journalism as a whole? Ritchin intends his discussion--which ranges across new media but also includes uses of video as well as a wide range of books and exhibitions--to provide critical tools with which to approach the various efforts of today's visual (and "citizen") journalists and documentary photographers. He also examines the historical uses of photography and related media to inspire social change, the better to pose the critical question that lies at the heart of his book: How can images promote new thinking and make a difference in the world?. In "Bending the Frame," Fred Ritchin--Professor of Photography & Imaging at New York University's Tisch School of the Arts, and author of "After Photography"--examines the complex relations between social justice and photojournalism in today's oversaturated political and media climates