Digital Compositing for Film and Video
| Author | : | |
| Rating | : | 4.33 (675 Votes) |
| Asin | : | 024081309X |
| Format Type | : | paperback |
| Number of Pages | : | 512 Pages |
| Publish Date | : | 2017-03-07 |
| Language | : | English |
DESCRIPTION:
The DVD contains before and after examples as well as exercise files for you to refine your own techniques on.. You are presented with tips, techniques, and solutions for dealing with badly shot elements, color artifacts, mismatched lighting and other commonly faced compositing obstacles. This practical, hands-on guide addresses the problems and difficult choices that professional compositors face on a daily basis. Practical, in-depth lessons are featured for bluescreen matte extraction, despill operations, compositing operations, as well as color-corrections.The book is presented entirely in an application-agnostic manner, allowing you to apply lessons learned to your compositing regardless of the software application you are using
He's developed video games at Atari, done 3D animations for Robert Abel and Associates, and was senior compositor and 2D technical director at Kodak's Cinesite. Steve is now a freelance, digital-compositing guru, who teaches, trains, writes, and develops on-line training programs. About the Author Steve Wright is a visual effects compositing veteran with 70 broadcast television commercials and over 60 feature films credits.
. Steve is now a freelance, digital-compositing guru, who teaches, trains, writes, and develops on-line training programs. Steve Wright is a visual effects compositing veteran with 70 broadcast television commercials and over 60 feature films credits. He's developed video games at Atari, done 3D animations for Robert Abel and Associates, and was senior composit
"95% solid information for a junior or mid-level compositor." according to Bryan Ray. 95% solid information for a junior or mid-level compositor. Steve's writing is clear and precise. The only real failure in this book is that it's a little too old, leading to some less-than-optimal advice concerning bit depth and color management. I expect the next edition, due out very soon, will correct those deficiencies. Although Steve is well-known as an expert Nu. Fantastic book now available in e-book form! Pete W I wish this book had been available when I was in college. To be honest, I'd passed it over several times when I was getting started, and in hindsight, I wish I'd picked it up sooner. As someone working in the field, this is one of the two books I recommend to everyone I know. I strongly believe every artist should have it as a desk reference, its that good. Whether yo. Just a guy said A humbling experience. I have been editing videos for much longer than I care to admit. I even wrote software plugins used by video editors all over the world. So, naturally, I know something about digital editing and compositing. Or so I thought.Reading this book has been a truly humbling experience, as it has shown me how little I know. And as I am reading through it, I keep discovering ne